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Literature and Undergraduates

Posted on July 20th, 2010

Here are questions I confront once again as I prepare for my classes in the upcoming fall semester:

Why should undergraduate university students pursuing degrees other than the ones offered in English Departments be required to study literature?

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Why I cannot (and will not) persist in my attempt to read FINNEGAN’S WAKE

Posted on June 26th, 2010

Here is a typical “sentence” from James Joyce”s Finnegan’s Wake:


“It is the circumconversioning of antelithual paganelles by a huggerknut cramwell energuman, or the caecodedition of an absquelitteris puttagonnianne to the herreraism of a cabotinesque exploser?

(Note: I borrow the foregoing excerpt from a recent Wall Street Journal article by the superb critic Terry Teachout; the article focuses on modernism in the arts, especially music; the article–as included at Frank Wilson’s blog [Books, Inq.]–coincides with my recent attempt to give Finnegan’s Wake another chance.)

The so-called sentence from Joyce’s novel stands as succinct, unimpeachable evidence in support of my claim that Finnegan’s Wake remains unworthy of any sensible reader’s extended expenditure of time.

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Book Review Revisited (Courtesy of BookLoons)

Posted on June 25th, 2010


Mudbound
by Hillary Jordan
Amazon.com order for Mudbound by Hillary Jordan

Algonquin, 2008 (2008)
Hardcover
* * * Reviewed by Tim Davis

A wonderful voice in southern American literature – reminiscent of the best of William Faulkner and Eudora Welty – has emerged in Hillary Jordan’s uncommonly powerful debut novel, Mudbound.

As a fiercely haunting and paradoxically beautiful tale of love, neglect, betrayal, and justice within and among families, Mudbound introduces readers to some of the most remarkable characters to have appeared recently in American literature:

In one family you have Henry McAllan (the successful engineer and wounded veteran of the Great War whose ties to southern traditions and his Mississippi farm dominate his and his family’s life); his much younger brother Jamie (an emotionally scarred veteran of World War II whose devotion to his family and friends will be sorely tested); Pappy McAllan (the ‘sour, bossy, and vain‘ family patriarch whose attitudes towards others in his family and his virulent bigotry threaten to destroy the entire family); and Laura Chappell (the Memphis-born English teacher, lover of Dickens and the Brontë sisters, and wife of Henry McAllan whose life becomes overturned by her husband’s decisions, her brother-in-law’s passion, her father-in-law’s spiteful disposition, and her adjustment to a very different way of life).

In another family you have Florence and Hap Jackson (African-American tenant farmers whose reluctant relationship with and dependence upon the McAllan family will lead to strained friendships and unspeakable tragedy); and Ronsel Jackson (the World War II tank battalion veteran whose return to his family and whose friendship with Jamie McAllan will lead to consequences no one could have possibly imagined).

With the Mississippi Delta dirt of the McAllan farm as the novel’s dominant symbol – an iconic allusion to the Hebrew adamah of the Old Testament Genesis – and with the author employing each of the main characters as the novel’s alternating narrators, Mudbound, one of the best novels about the American south and American families to have appeared in the last quarter century, is an extraordinarily effective examination of the terrifying collision of values and attitudes in Mississippi in the late 1940s.

So, readers of quality literature, here is the bottom line: Mudbound is intense, beautiful, and unforgettable.

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Book Review (Reprinted from BookLoons)

Posted on May 18th, 2010


Mudbound
by Hillary Jordan
Amazon.com order for Mudbound by Hillary Jordan



A wonderful voice in southern American literature – reminiscent of the best of William Faulkner and Eudora Welty – has emerged in Hillary Jordan’s uncommonly powerful debut novel, Mudbound.

As a fiercely haunting and paradoxically beautiful tale of love, neglect, betrayal, and justice within and among families, Mudbound introduces readers to some of the most remarkable characters to have appeared recently in American literature:

In one family you have Henry McAllan (the successful engineer and wounded veteran of the Great War whose ties to southern traditions and his Mississippi farm dominate his and his family’s life); his much younger brother Jamie (an emotionally scarred veteran of World War II whose devotion to his family and friends will be sorely tested); Pappy McAllan (the ‘sour, bossy, and vain‘ family patriarch whose attitudes towards others in his family and his virulent bigotry threaten to destroy the entire family); and Laura Chappell (the Memphis-born English teacher, lover of Dickens and the Brontë sisters, and wife of Henry McAllan whose life becomes overturned by her husband’s decisions, her brother-in-law’s passion, her father-in-law’s spiteful disposition, and her adjustment to a very different way of life).

In another family you have Florence and Hap Jackson (African-American tenant farmers whose reluctant relationship with and dependence upon the McAllan family will lead to strained friendships and unspeakable tragedy); and Ronsel Jackson (the World War II tank battalion veteran whose return to his family and whose friendship with Jamie McAllan will lead to consequences no one could have possibly imagined).

With the Mississippi Delta dirt of the McAllan farm as the novel’s dominant symbol – an iconic allusion to the Hebrew adamah of the Old Testament Genesis – and with the author employing each of the main characters as the novel’s alternating narrators,Mudbound, one of the best novels about the American south and American families to have appeared in the last quarter century, is an extraordinarily effective examination of the terrifying collision of values and attitudes in Mississippi in the late 1940s.

So, readers of quality literature, here is the bottom line: Mudbound is intense, beautiful, and unforgettable. Don’t miss it!

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Reading “A Late Encounter with the Enemy”

Posted on May 10th, 2010

As the eighth story in Flannery O’Connor’s first published collection, A Good Man is Hard to Find, “A Late Encounter with the Enemy” invites readers to contemplate what many have perceived as the American south’s preoccupation with the region’s defeat during the American Civil War.

First, before a more direct encounter with O’Connor’s short story, however, readers might want to consider an important moment in another story by another writer from the American south: William Faulkner’s “A Rose for Emily.” Near the end of Faulkner’s superb gothic tale, a story that is frequently and justifiably anthologized in college-level literature survey course textbooks, the narrator makes this perceptive observation about the old men who come to a funeral: “[A]nd the very old men—some in their brushed Confederate uniforms—on the porch and the lawn, talking of Miss Emily as if she had been a contemporary of theirs, believing they that they had danced with her and courted her perhaps, confusing time with its mathematical progression, as the old do, to whom all the past is not a diminishing road but, instead, a huge meadow which no winter ever touches, divided from them now by the narrow bottleneck of the most recent decade of years.” Remember the metaphor—meadow for memory—when reading “A Late Encounter with the Enemy.”

Second, further postponing our encounter with O’Connor’s story, consider first southern writer Walker Percy’s explanation for why the American south produced so many good writers: “Because we lost the War.” O’Connor, responding to Percy (in her essay entitled “The Regional Writer”), expands upon Percy’s theory by suggesting that the American Civil War had a profound effect upon the collective psyche of southerners: “What he was saying was that we have had our Fall[.

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