Long Spoon Lane

By Anne Perry

Ballantine Books, $25.95, 336 pages

ISBN 0345469275

Anne Perry’s latest addition to the excellent Thomas and Charlotte Pitt series is a compelling tale of murder, terror, and corruption in 1893 London. In the opening paragraphs, Thomas Pitt and Victor Narraway, both with the Special Branch for England’s homeland security, respond to a terrorist threat and race across the city hoping to thwart a bombing in the gritty East End. Arriving in time to witness but too late to prevent the explosion and devastation, Pitt and Narraway immediately pursue the suspects. The chase leads Pitt, Narraway, and policemen to a tenement in dingy Long Spoon Lane where a gun battle ensues and two suspects are arrested. One dead suspect, however, is identified as Magnus Landsborough, and he instantly becomes the most interesting piece of a complicated puzzle for Pitt and the Special Branch.

Magnus Landsborough died because of an apparent gunshot to the head, but more significantly, Magnus was the son of a respected Member of Parliament. Pitt immediately ponders several questions: Why was Magnus, an ostensibly honorable young man with important social and political connections, involved in the murderous terrorist bombing? And, equally important, how and why did this young man really die?

Pitt, eager to find answers to these and other questions, sets out on a harrowing adventure in which he must move with equal ease in tough, down-and-out neighborhoods and in high-society drawing rooms. Relying upon help from his wife Charlotte and a few dependable friends and colleagues, but also reluctantly allying himself with a personal enemy from within England’s mysterious Inner Circle, Pitt—despite dangers to himself and his family—ultimately exposes terrifying truths about personal loyalties, family secrets, police integrity, and Parliamentary politics.

Anne Perry fills her exciting novel with perfectly nuanced images of life in 1893 London, and she has proven once again through her adroit blending of ingenious plotting, superb characterizations, and compelling themes that she is a master of the Victorian crime novel. Readers will not want to miss out on this 24^th addition to a consistently entertaining series.

Copyright © 2009 Good Books

Long Spoon Lane

PLOT SUMMARY: Web Fillmore Goodhue is quite possibly the least likely person in Los Angeles County to be working with a crime scene clean-up crew. After all, he is a disaffected slacker with no ambition, thanks to a recently suffered traumatic event. But when his only friend in the world lets him know that his freeloading days are over, he finds himself in a pinch and joins Clean Team. Soon he’s sponging a Malibu suicide’s brains from a bathroom mirror, and flirting with the man’s bereaved and beautiful daughter.

Then this already screwed up situation gets weirder when the dead man’s daughter asks a favor. Her brother’s in need of somebody who can clean up a mess. Every cell in Web’s brain tells him to turn her down, but something makes him agree. Whatever it is, soon enough it’s Web who needs the help when he finds himself in way over his head, getting his face kicked in, facing down some gun-toting cowboy smugglers, and hanging on for dear life. Then things get even worse…

FORMAT/INFO: Page count is 336 pages divided over a Prologue, Epilogue and chapters that feature such titles like “Pipe Bomb in the Ass” and “What Being a Dick Gets You”. Narration is in the first-person exclusively via the protagonist, Web Fillmore Goodhue. The novel is self-contained, but is the first volume in a proposed long-running crime series. “Something I could return to every year or two”, says Charlie. January 13, 2009 marks the North American Hardcover Publication of “The Mystic Arts of Erasing All Signs of Death” via Ballantine Books. Cover designed by Chris Sergio.

ANALYSIS: When it comes to reading a Charlie Huston novel, certain things are expected like scintillating dialogue, unique and memorable characters, over-the-top violence, humor with a nasty bite, vigorous pacing, and a wild story that is equal parts crime and pulp, and “The Mystic Arts of Erasing All Signs of Death” is no exception.

Starting with the dialogue, it just doesn’t get much better than Charlie Huston. Full of sarcasm, wit, humor and vulgarity, Charlie’s dialogue is far and away the highlight of his books. This is notable because his books are mostly dialogue-driven, which in turn sets the tone for their dynamic pacing. What particularly impresses me is how Charlie is able to write dialogue that fits the personality of his characters. In this case, Web Fillmore Goodhue is the world’s biggest dick, but also a pansy. So he’s pretty much all talk, which is what gets him into trouble . . . and his ass getting kicked quite often. I also love the jousting that goes on between characters with the interactions between Web & Gabe, Web & Jamie, and Web and his father some of the book’s most entertaining moments:

“That’s OK. I understand you’re the reticent type. I just thought that since we were accessories in a few felonies together that you might warm up a little and share a couple biographical details. For the sake of conversation.”
“I make an observation here, Web?”
“Sure, but don’t go crazy. You’ve already spoke more in the last fifteen minutes than I thought was possible. Don’t want you to sprain your tongue or anything.”
He nodded. “No danger. No danger.”
“Good. Well, as long as you’re careful, what is it you’ve observed?”
“Some looks. A few silences.”
“Wow, man. Fascinating stuff.”
“It is. In its own way.”
“Uh-huh. Well. Thanks, Gabe. That was enlightening. Thanks for the observations.”

As far as characters go, the cast in “The Mystic Arts of Erasing All Signs of Death” are a delightful bunch. Delightful in that the characters are incredibly eclectic and that everyone, no matter how major or minor a role they play, are outfitted with unique personalities and traits. For instance, Web’s mother is constantly high and still living like it’s the sixties, while his father is a former screenplay writer legend now turned legendary dick; Gabe is a quiet individual with a very disturbing sense of humor; Jamie is an “adult utterly unequipped to provide for themselves and emotionally cope with the world”; Po Sin’s wife is lacking for intimacy because of her challenged son; and the homeless couple down the street from Web & Chev’s place are constantly cussing each other out. Just to name a few.

But the star of the show is without a doubt, Web Fillmore Goodhue. At one time just a normal elementary school teacher, Web is now an ass who’s finally convinced to take a job for cash — as part of a trauma team cleaning up after suicides, murders and other nasty jobs. But there’s a reason why Web is such a colossal dick. He’s suffering from severe post-traumatic disorder, so for all of his jackassery, Web is still a character that readers can care about and connect with. In fact, it’s quite inspiring to see Web come to terms with his problem and taking steps toward recovery, although in a twisted way because of the crazy events that lead him to that point.

Which brings me to the outrageous, yet totally entertaining plot behind “The Mystic Arts of Erasing All Signs of Death”. A plot that revolves around a profession that most people probably never think about and consists of trauma cleanup gang wars, smugglers, almonds, kidnapping and all sorts of other craziness. As to the book’s violence, “The Mystic Arts of Erasing All Signs of Death” is not as brutal as other Charlie Huston novels with bodies flying everywhere, but has more of a Chuck Palahniuk-shock factor vibe going on because of the trauma cleanup angle. But even though the body count is significantly lower, “The Mystic Arts of Erasing All Signs of Death” still has plenty of blood, gore and shit to go around, and is definitely not for the squeamish.

Once added all together, what you have in “The Mystic Arts of Erasing All Signs of Death” is Charlie Huston at the top of his game . . . and one hell of a novel…

CONCLUSION: Since 2004, Charlie Huston has established himself as one of the best writers in crime/pulp fiction, and with “The Mystic Arts of Erasing All Signs of Death”, the author delivers another masterpiece. In fact, “The Mystic Arts of Erasing All Signs of Death” is my favorite—and arguably the best—Charlie Huston novel thus far. So it goes without saying that if you’re a Charlie Huston fan, then “The Mystic Arts of Erasing All Signs of Death” is a must read. And if you haven’t yet had the pleasure of experiencing a Charlie Huston novel, then do yourself a favor. Pick up a copy of “The Mystic Arts of Erasing All Signs of Death” and prepare to be blown away…

Copyright © 2009 Good Books

The Mystic Arts Of Erasing All Signs Of Death