When the action begins, Scotland Yard detective Joe Sandilands is driving through the south of France in August of 1926 on an important errand: he is bringing his adolescentniece Dorcas Joliffe to a medieval castle where the girl’s eccentric father and a colorful assortment of artists have taken up temporary residence.

Almost immediately, a vandalized statue and the murder of a beautiful artist’s model, investigated by local police, ensnare Sandilands in a complicated mystery, one in which a dastardly villain lurks in the shadows. And on top of all of this – as dangers to everyone escalate – a more personal puzzle requires careful attention: finding Dorcas’s mother, a woman not involved in the girl’s life but presumably living (perhaps) somewhere in Provence.

Well, if the storyline preview doesn’t sufficiently entice you to read Strange Images of Death, let me borrow from previously cited reviewers and point out that this recommended Sandilands adventure features an ‘evocative narrative, sensitive characterizations, artful dialogue … masterly plotting‘ and something else: a great setting (i.e., using a medieval castle for a murder mystery, of course, helps make this one an absolute winner).

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